Marcin Dylla

Eine Sammlung von sagenhaften 19 ersten und zahlreichen Publikums- und Orchesterpreisen bei internationalen Wettbewerben sind die eine Sache für einen jungen Künstler. Diesen formidablen Einstieg tatsächlich in einer dauerhaften Karriere weiter zu führen, das ist eine andere und die große Herausforderung des Konzertalltags.

Dass dem inzwischen 35-jährigen Marcin Dylla dieser Schritt zweifelsfrei und bravourös gelungen ist, zeigen die überschwänglichen Kritiken zu seinen Konzerten. Die Washington Post ist sich sicher, dass der junge Pole "zweifelsfrei zu den begnadetsten Gitarristen unseres Planeten gehört".
Die Herald Tribune feiert ihn dafür, dass er der überstrapazierten Vokabel "unglaublich" mit seinem Spiel endlich wieder zu seiner ursprünglichen Bedeutung verhilft.


Inzwischen spielt der so Gepriesene, der sein musikalisches Handwerk bei Adi Wanda Palacz, Oscar Ghiglia, Sonja Prunnbauer und Carlo Marchione erlernt hat, weltweit an den ersten Adressen, darunter Konzerthaus, Musikverein und Palais Lobkovitz in Wien, die Philharmonie St. Petersburg und die Bühnen der US-Metropolen. Seine im September 2008 bei NAXOS erschienene CD mit Werken von Rodrigo, Tansman, Maw und Ponce hielt sich über mehrere Monate unter den NAXOS "Top 10" der bestverkauften Alben.

http://www.marcindylla.com

-----------------------------------------------------------------------------------------------------------------

"'Incredible' is a word used far too frequently these days, with the result that it has lost much of its original impact and has come to signify merely something good rather than something unbelievable. Polish guitarist and German resident Marcin Dylla restored the meaning of the word Saturday evening in an absolutely stunning concert, the final event in GuitarSarasota's current season. Judging by the total silence of the audience before the eruption of thunderous applause after each item on the program, 'incredible' was back to its original strength in the handsome and acoustically rich hall at St. Paul Lutheran Church, at least for the duration of Dylla's recital. Large-scale, challenging compositions for solo guitar are not heard often in our city, certainly not performed at this level of seemingly effortless technique and intense artistry… The program closed with 'Three Spanish Pieces' by Joaquin Rodrigo, whose 'Concierto de Aranjuez' has become a cornerstone of the guitar and orchestral repertoire. This performance was touching in its lyricism and, well, incredible in its technical prowess. So secure was Dylla that he answered an audience sneeze with a spoken 'Bless you' without missing a beat."
Richard Storm
HERALD TRIBUNE

"But much of the attention was focused on Polish guitarist Marcin Dylla, who at 32 has won a steady string of awards - Including last year's ultra-prestigious Guitar Foundation of America International Competition. And if there were any doubt that Dylla ranks among the most gifted guitarists on the planet, they were dispelled on Friday night. Dylla can seem a bit theatrical at times; his face becomes a twitching map of emotion when he plays. But each work on the short program - Including Nicholas Maw's brilliant, diabolically difficult 'Music of Memory' - was almost achingly poetic. This is definitely a guitarist to watch."
THE WASHINGTON POST

"The biggest bang of the evening was as a result of the performance by the guest artist, Marcin Dylla, a Polish, by way of Germany, guitarist. He performed the Concierto de Aranjuez penned by the Spanish composer Joaquin Rodrigo. While the piece is recognized as a classic blend of the guitar and orchestra, Dylla plays his instrument as a six-string orchestra, in and of itself. The balance of the music comes forth as a background. This guitarist is one of the most formidable and talented instrumentalists to have graced the Heymann Performing Arts Center stage in some time. The man simply gathered the audience into his musical embrace and kept them there. The velvet clutch was based upon the siren-like song of his guitar, as well as Dylla's uncanny ability to control and then amplify the sounds of six strings into a fully developed concert. I first heard Dylla in an evening recital in the Lafayette home of Patrick and Jennifer LeBlanc. The intimacy of that environment was ideally suited to the instrument's sound, creating a mood and setting of intimacy and grace. The man played his guitar, caressing the instrument's neck with his left hand and deftly stroking with the right, as a paramour caressing his beloved's cheek. The music that he played that night, and the way in which he interpreted the notes, is best personified by a lover's sensuous embrace, or perhaps even a gentle slap - moods that deal with the pendulous swing of any relationship. With only six strings, he caught the entire spectrum of emotions that is ordinarily wrought by the majestic sweep of an entire orchestra."
Ray Blum
THE ADVERTISER

"Throughout the competition, Dylla was the guitarist who had garnered the most buzz. Dylla had an air of controlled cool. The way he concluded the slow movement was the loveliest moment of the night. His touch was so light, his tones so delicate that the sound was exquisitely resonant. When he finished the piece, the audience jumped up and cheered. It seemed pretty obvious who was going to be the Audience Favorite, and Dylla was… When Dylla was awarded the grand prize, his fans again went wild, and BPO (Buffalo Philharmonic Orchestra) brass players played the Polish national anthem."
THE BUFFALO NEWS

"Zuhörern in der Stadthalle bot der polnische Ausnahmekönner, eine wahre Lehrstunde in Sachen subtiler Gitarrenkunst. (...)Im feinsinnig ausgehörten Spiel dieses herausragenden Gitarrensolisten war das ein Hörgenuss für Gitarrenfreunde."
BADISCHE ZEITUNG, 22 September 2009